(EBook PDF) Harmony Counterpoint Partimento A New Method Inspired by Old Masters 1st edition by Job IJzerman 019069503X 9780190695033 full chapters

Harmony, Counterpoint, Partimento A New Method Inspired by Old Masters 1st edition by Job IJzerman – Ebook PDF Instant Download/DeliveryISBN:  019069503X, 9780190695033 

Full dowload Harmony, Counterpoint, Partimento A New Method Inspired by Old Masters 1st edition after payment.

Product details:

ISBN-10 :  019069503X 

ISBN-13 : 9780190695033

Author:  Job IJzerman 

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today’s classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor’s manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student’s harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Harmony, Counterpoint, Partimento A New Method Inspired by Old Masters 1st Table of contents:

Part I Harmony in Two and Three Parts
1 Two-Part Scale Realization
1.1 Parallel Thirds and Parallel Sixths
1.2 Alternation of Thirds and Sixths
1.3 Suspensions: Sevenths and Seconds
1.4 Variants of Suspension Patterns
2 Three-Part Scale Realization
2.1 The Fauxbourdon
2.2 The Monte and the 7–6 Fauxbourdon
2.3 The Stepwise Romanesca
2.4 Fifth Down Fourth Up
2.5 The Tied Bass
3 The Three-Part Cadence
3.1 The Simple Cadence
3.2 The Compound Cadence
3.3 The Double Cadence
3.4 The Galant Cadence
3.5 The Neapolitan Cadence
4 The Rule of the Octave
4.1 The Ascending Pentachord
4.2 The Descending Pentachord
4.3 The Ascending Tetrachord
4.4 The Descending Tetrachord
5 Galant Schemata
5.1 The Leaping Romanesca
5.2 The Quiescenza
5.3 The Prinner
5.4 The Monte Romanesca
5.5 The Fenaroli
5.6 The Folia
Part II Harmony in Four Parts
6 Fundamentals of Four-Part Harmony
6.1 The Compound Cadence (II)
6.2 The Galant Cadence (II)
6.3 The Discant Cadence
6.4 The Dominant Seventh Chord
6.5 The Dominant Seventh Family
6.6 The Four-Part Rule of the Octave
7 Beyond the Rule of the Octave
7.1 The Diminished Seventh Family
7.2 Fifth Down Fourth Up and Third Down Second Up
7.3 The Tied Bass (II)
7.4 Descending Thirds
7.5 The Folia (II)
8 Chromaticism
8.1 The Fonte
8.2 The Chromatic Monte
8.3 Tonicization in Descending Thirds
8.4 The Chromatic Tetrachord: The Lamento
8.5 The Chromatic Tetrachord: Advanced Realizations
8.6 The Chain of Dominants
9 Enharmonization
9.1 The Minor Seventh and the Augmented Sixth
9.2 The Augmented Sixth and the Minor Seventh
9.3 Enharmonizations of the Diminished Seventh Chord
9.4 Enharmonizations of the Augmented Fifth Triad
9.5 The Omnibus

People also search for Harmony, Counterpoint, Partimento A New Method Inspired by Old Masters 1st:

harmony counterpoint partimento pdf
    
harmony counterpoint partimento reddit
    
harmony vs counterpoint
    
one harmony hotels
    
harmony location