(Ebook PDF) Musical Entanglements between Germany and East Asia Transnational Affinity in the 20th and 21st Centuries 1st Edition by Joanne Miyang Cho 3030782093 9783030782092 full chapters

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ISBN-10 :  3030782093 

ISBN-13 :  9783030782092

Author : Joanne Miyang Cho 

This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits. 

Musical Entanglements between Germany and East Asia: Transnational Affinity in the 20th and 21st Centuries 1st Table of contents:

1. The Idea of Entanglement, Historiography, and Organization
Part I. German-Japanese/Korean Entanglements, 1900–1945: Wagner, Bandmasters, and Japanese Students
2. The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-musical Dimension of Cross-Border Music Transfer
3. Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong
4. Japanese Music Students in Germany and Austria, 1880 to 1945
Part II. Sino-German Entanglements, 1900–1949: Operas, Beethoven, and Jewish Cantors
5. The “Oriental” Utopia: Postwar Orientalism and Ferruccio Busoni’s Opera Turandot
6. Reimagining China in Interwar German Opera: Eugen d’Albert’s Mister Wu and Ernst Toch’s Der Fächer
7. Demarcation and Cooperation: Nazi-Persecuted Jewish Cantors in Shanghai Exile, 1938–1949
8. What Beethoven Meant in China, 1900–1949: Music, Ideology and Power
Part III. German–East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers
9. Mozart in the Context of Globalization: The Musician as an Agent of Cultural Hybridity
10. When “Japanese” Music Became “World” Music: The Internationale Ferienkurse für Neue Musik as Intercultural Agency
11. The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art
12. Korean Contemporary Music and Germany: An Examination of Four Korean Composers

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Musical Entanglements,Germany,East Asia,Transnational Affinity,the 20th,21st Centuries,Joanne Miyang Cho