Publicity and the Early Modern Stage: People Made Public 1st edition- Ebook Instant Download/Delivery ISBN(s): 9783030523312,3030523314,9783030523329, 3030523322
Product details:
- ISBN 10:3030523322
- ISBN 13: 9783030523329,
- Author: Allison K. Deutermann,Matthew Hunter , Musa Gurnis
What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and women associated with playing—not just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productions—introduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity.
Table contents:
Part I. Knowing Audiences and Theatrical Publics
- Othello’s Strange Celebrity: Race and Publicity in Early Modern Drama
- Celebrity, Crowds, and Theatrical Audiences in Shakespeare’s Coriolanus
- “Bootless are your thoughts”: Audience Expectation and Surprise in the Caroline Commercial Theater
Part II. Affective Persons, Public Theatricalities
- Local Celebrities Onstage and Off
- Robert Armin’s “Blue John,” Early Modern Disability, and the Public Punchline
- Doubling and Resurrection Across the Henriad
- Celebrity No-Show: The Great Eater of Kent
Part III. Bodies Public and Imaginary
- Bodies Public: The Roaring Girl and the Rise of Celebrity
- Nobody’s Business
- Jonson’s Ridicule of Shakespeare: Commodifying Drama in “To the Reader” of The Alchemist
- Afterword
- Publisher Corrections: Publicity and the Early Modern Stage
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