Adaptation Considered as a Collaborative Art Process and Practice 1st Edition by Bernadette Cronin, Rachel MagShamhráin, ‎Nikolai Preuschoff 3030251611 9783030251611

Adaptation Considered as a Collaborative Art: Process and Practice 1st Edition by Bernadette Cronin, Rachel MagShamhráin, ‎Nikolai Preuschoff – Ebook PDF Instant Download/DeliveryISBN:  3030251611, 9783030251611 

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ISBN-10 ‏ : ‎3030251611 

ISBN-13 ‏ : ‎9783030251611

Author:   Bernadette Cronin, Rachel MagShamhráin, ‎Nikolai Preuschoff 

This book examines the processes of adaptation across a number of intriguing case studies and media. Turning its attention from the ‘what’ to the ‘how’ of adaptation, it serves to re-situate the discourse of adaptation studies, moving away from the hypotheses that used to haunt it, such as fidelity, to questions of how texts, authors and other creative practitioners (always understood as a plurality) engage in dialogue with one another across cultures, media, languages, genders and time itself. With fifteen chapters across fields including fine art and theory, drama and theatre, and television, this interdisciplinary volume considers adaptation across the creative and performance arts, with a single focus on the collaborative.

Adaptation Considered as a Collaborative Art: Process and Practice 1st Table of contents:

Conversations with the Dead I
Collaborating with the Dead: Adapters as Secret Agents
Adaptation: Drama and Theatre
playing ‘the maids’: Devising an Adaptation—Collaboration and the Actor’s Process
The Not-So-Singular Life of Albert Nobbs
Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe’s The Butcher Boy on Stage
Adaptation: Literature and Screen
The Alien World of Objects: Stanley Kubrick’s The Killing
Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine
“His world had vanished long before he entered it”: Wes Anderson’s Homage to Stefan Zweig
Adaptation: Screen and Politics
Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm’s Der Schimmelreiter/The Rider on the White Horse (1888)
Adapting Hein’s Willenbrock: Andreas Dresen and the Legacy of the GDR ‘Ensemble’ Tradition
Adaptation: Screen, Fine Art and Theory
Same Player, Shoot Again: Géla Babluani’s 13 (Tzameti), Transnational Auto-Remakes, and Collaboration
Anselm Kiefer’s Signature: Or—Adapting God
Adaptation: Television
Adaptation as Arguing with the Past: The Case of Sherlock
The Prestige Novelisation of the Contemporary Television Series: David Hewson’s The Killing
Conversations with the Dead II
Things You Can Do to an Author When He’s Dead: Literary Prosthetics and the Example of Heinrich von Kleist
Collaborating with the Dead, Playing the Shakespeare Archive; Or, How to Avoid Being Pushed from Our Sto

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Tags: Adaptation Considered, Collaborative Art, Process, Practice, Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff