Anthony Burgess, Stanley Kubrick and A Clockwork Orange – Ebook Instant Download/Delivery ISBN(s): 9783031055980,3031055985,9783031055997, 3031055993
Product details:
- ISBN-10 : 3031055993
- ISBN-13 : 9783031055997
- Author: Matthew Melia,Georgina Orgill
This book brings together a diverse range of contemporary scholarship around both Anthony Burgess’s novel (1962) and Stanley Kubrick’s film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick’s film and the 60th anniversary of Burgess’s novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess’s recently discovered ‘sequel’ The Clockwork Condition; the cold war context of both texts; the historyof the script; the politics of authorship; and the legacy of both—including their influence on the songwriting and personas of David Bowie!
Table contents:
- Introduction
- Anthony Burgess and Stanley Kubrick
- Dangerous Arts: The Clash Between Anthony Burgess, Stanley Kubrick, A Clockwork Orange, and the World
- “A Major Statement on the Contemporary Human Condition”: Anthony Burgess and the Aftermath of A Clockwork Orange
- Language and Adaptation
- Scripting A Clockwork Orange
- ‘The Colours of the Real World Only Seem Really Real When You Viddy Them on the Screen’: The Adaptation of Nadsat in Stanley Kubrick’s A Clockwork Orange
- “Language, Language”: The Social Politics of ‘Goloss’ in Time for a Tiger and A Clockwork Orange
- 20th Century Contexts: Architectural, Art Historical and Theoretical Approaches
- Art and Violence: The Legacy of Avant-Garde Art in Stanley Kubrick’s A Clockwork Orange
- Architecture and Freedom in A Clockwork Orange
- Glazzies Wide Open: Spectral Torture, Kubrick, and A Clockwork Orange (A Brainie by Fifteen Thinks)
- 20th Century Contexts: A Clockwork Orange and the Cold War
- When Burgess Met the Stilyagi on a White Night: Subcultures, Hegemony and Resistance in the Soviet Roots of A Clockwork Orange’s Droogs
- Alex’s Voice in A Clockwork Orange: Nadsat, Sinny and Cold War Brainwashing Scares
- A Clockwork Orange in 21st Century
- A Thing Living, and Not Growing
- A Clockwork Orange and its Representations of Sexual Violence as Torture: Stanley Kubrick and Francis Bacon
- Music and A Clockwork Orange
- Transforming Variations: Music in the Novel, Film, and Play A Clockwork Orange
- David Bowie and A Clockwork Orange: Two Sides of the Same Golly
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