Basilicata and Southern Italy Between Film and Ecology 1st edition by Alberto Baracco – Ebook PDF Instant Download/DeliveryISBN: 3031135733, 9783031135736
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ISBN-10 : 3031135733
ISBN-13 : 9783031135736
Author: Alberto Baracco
This volume offers an open, transdisciplinary living space (also green) through which to explore the different connections between Basilicata and Southern Italy, cinema, and ecology, and thus to reflect on the different forms through which the historical, cultural, and social contexts of Southern Italian regions have been variously identified and represented. In order to explore these connections, the volume embraces a wide range of perspectives that may all be grouped under the key term film ecocriticism, offering the reader a thorough analysis not only of the different ways of representing reality but also of the processes of signification through which reality itself can be understood, rethought, and transformed. This is the general framework within which the authors consider film as a proper, effective medium for ecocritical and ecophilosophical reflections concerning not only Basilicata (to which the greater part of the volume is dedicated) but also Southern Italy and, therefore, its history and its territories, communities, and identities. Furthermore, in an even more general sense, Basilicata and Southern Italy reconnects with the very idea of the South, and of all Souths, to which this volume is dedicated.
Basilicata and Southern Italy Between Film and Ecology 1st Table of contents:
1. Introduction: For a New Ecology of the Gaze in Contemporary Italian Cinema
Part I. Travels, Paths, Narrations
2. Exordium
3. Petroculture, Southern Thought, and Itinerant Cinematic Resistance in Basilicata
4. Southern Realities and Emotions: Francesco Rosi’s Cultural Voyages
5. Lucania, Land of Fairy Tales and Cinema: Gigi Roccati’s Lucania and the Eco-Fairy-Tale Film
Part II. Places, Landscapes, Relations
6. Exordium
7. Basilicata Inside and Outside. Lucanian Landscape and Postwar Nonfiction Cinema
8. The Aesthetics of Ghost Towns in Basilicata. Nicola Ragone’s Cinema Between Art, Ecology and Marginality
9. Rewritings of the Meridian Landscape in Contemporary Italian Cinema
Part III. History, Memories, Identities
10. Exordium
11. Rocco e i suoi fratelli: Luchino Visconti’s Lucania Between Real and Imaginary
12. Meridian Landscape and Documentary Image: Luigi Di Gianni’s Short Movies
13. Isabella di Morra’s “Valle Inferna” Between Myth and Reality. About the Movie Sexum Superando
Part IV. Conflicts, Traumas, Reconstructions
14. Exordium
15. Wounded Realities: Remedial Gestures and Silence of the Myths in the Lucania of Nonfiction Cinema During the 1950s and the 1960s
16. Southern Italy’s Petronarratives: A Few Notes on Contemporary Italian Ecodocumentaries
17. Past and Future of a Region: Basilicata Through Documentary Cinema of the 1950s and 1960s
18. Conclusion: Ecophilosophy and the Human/Nonhuman Relation in Michelangelo Frammartino’s Alberi
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