Bodies, Noise and Power in Industrial Music 1st Edition – Ebook Instant Download/Delivery ISBN(s): 9783030924614,3030924610,9783030924621, 3030924629
Product details:
- ISBN-10: 3030924629
- ISBN-13: 9783030924621
- Author: Elizabeth Potter, Jason Whittaker
This edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music’s elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception. The chapters havebeen carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women’s collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the ‘industrial’ boundary and broadening the focus beyond white European industrial music.
Table contents:
1. Introduction: Assemblages and Interventions
2. “My Body Disgusts Me”: Swans, Biopolitics, and the Hangman’s Noose of Success
3. Nafada: Industrial, Hip-Hop, and the Diasporic Condition
4. “The Odds of the Body”: Clipping. and Escaping the Power Hold on the Black Body
5. All Too Human: Industrial Bodies and Anti-bodies in the Time of AIDS
6. Chance Meeting: Disembodied Voices in the Work of Nurse with Wound and Cabaret Voltaire
7. The Last Attempt at Paradise: Early Industrial Culture in Kansas
8. Industrial Music and Inner Experience: Aural Abrasion as a Window to Post-Subjectivity
9. The Occultural Side of Industrial: From Its Origins to Industrial Black Metal
10. “Happiness in Slavery,” or Industrial Erotic
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