eTextbook 978-0393263053 The Musician’s Guide to Theory and Analysis (Third Edition) – Digital Instant Dowload.

Product details:

• ISBN-10 ‏ : ‎ 0393600491
• ISBN-13 ‏ : ‎ 978-0393600490
• Author: Jane Piper Clendinning, Elizabeth West Marvin

The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.

Table contents:

1. Pitch and Pitch Class

2. Simple Meters

3. Pitch Collections, Scales, and Major Keys

4. Compound Meters

5. Minor Keys and the Diatonic Modes

6. Intervals

7. Triads

8. Seventh Chords

9. Connecting Intervals in Note-to-Note Counterpoint

10. Melodic and Rhythmic Embellishment in Two-Voice Composition

11. From Species to Chorale Style: Soprano and Bass Lines

12. The Basic Phrase and Four-Part Writing

13. Dominant Sevenths, the Predominant Area, and Realizing Figured Bass

14. Expanding the Basic Phrase

15. New Cadence Types and Diatonic Root Progressions

16. Embellishing Tones

17. Voice-Leading Chords: vii^O6, vii^O7, vii^ø7, and Others

18. Phrase Structure and Motivic Analysis

19. Secondary Dominant and Leading-Tone Chords to V

20. Tonicizing Scale Degrees Other Than V

21. Sequences

22. Modulation

23. Binary and Ternary Forms

24. Invention, Fugue, and Baroque Counterpoint

25. Variation

26. Modal Mixture and Chromatic Mediants

27. The Neapolitan Sixth and Augmented-Sixth Chords

28. Chromatic Harmony and Voice Leading

29. Vocal Forms

30. Sonata, Sonatina, and Concerto

31. Rondo, Sonata-Rondo, and Large Ternary

32. Popular Music, Jazz, and Blues

33. Recent Popular Music

34. Modes, Scales, and Sets

35. Rhythm, Meter, and Form in Music after 1900

36. Music Analysis with Sets

37. Sets and Set Classes

38. Ordered Segments and Serialism

39. Rhythm, Meter, and Form after 1945

40. Recent Trends