Explorations in Cinema through Classical Indian Theories: New Interpretations of Meaning, Aesthetics, and Art – Ebook Instant Download/Delivery ISBN(s): 9783030456108,3030456102,9783030456115, 3030456110
Product details:
- ISBN 10:3030456110
- ISBN 13: 9783030456115
- Author:Gopalan Mullik
This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the audiences at the basic level of their being outside of Western experience. In the process, this book moves away from the heavily Eurocentric film discourse of today while also detailing how this new platform for understanding cinema at the most basic level of its meaning can build upon existing film theories rather than act as a replacement for them.
Table contents:
1. Introduction
2. Film Theories and Cinema: Limitations of Disembodied Vision in the Existing Film Discourse
3. Vedic Cosmology and the Notion of Correlative Opposites: An Indian Paradigm of Thought and Its Influence on Artworks
4. Nyāya Theory of Perception or Pratyakṣa: Classical Indian Theories of “Meaning” and Their Relation to Cinema
5. Bharata’s Theory of Aesthetic Pleasure or Rasa: Classical Indian Theories of “Aesthetics” and Their Relation to Cinema
6. Ānandavardhana’s Theory of Suggestion or Dhvani: Indian Theories of “Art” and Their Relation to Cinema
7. Conclusion
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