Harmony in Context 3rd Edition

Harmony in Context 3rd Edition – Ebook Instant Download/Delivery ISBN(s): 9781260153866,126015386X,9781260153859, 1260153851

Product detail:

• ISBN 10: 1260153851
• ISBN 13: 9781260153859
• Author: Miguel Roig-Francoli

Music Theory Made RelevantDesigned for undergraduate music majors Harmony in Context provides the richest possible musical context for the study of harmony constantly encouraging students to translate what they are learning into better performances and better listening. The musical examples and anthology encompass a wide variety of different composers and repertoires. A clear and visually attractive layout as well as the use of section and subsection headings and lists where appropriate are essential aspects that contribute to the effective organization of this book. Recordings for all the musical examples from the literature included in both the book and the anthology are available on the book’s Online Learning Center.

Table of contents:

1. Chapter 1 Harmonic Progression. The Connection of Chords
2. Chapter 2 The Fundamental Progression: The Tonic and Dominant Triads in Root Position
3. Chapter 3 Harmonic Function; The Subdominant Triad in Root Position
4. Chapter 4 Triads in First Inversion
5. Chapter 5 The Supertonic; Melody Harmonization
6. Chapter 6 Nonchord Tones
7. Chapter 7 64 Chords
8. Chapter 8 The Dominant Seventh and Its Inversions
9. Chapter 9 The Leading-Tone Triad
10. Chapter 10 Cadences
11. Chapter 11 Building the Context for Harmony I: Phrase Structure
12. Chapter 12 Building the Context for Harmony II: Thematic Development; Phrase Extension
13. Chapter 13 Harmonic Rhythm; Metric Reduction
14. Chapter 14 The Mediant, Submediant, and Subtonic Triads
15. Chapter 15 Other Diatonic Seventh Chords
16. Chapter 16 Harmonic Sequences
17. Chapter 17 Tonicization I
18. Chapter 18 Tonicization II
19. Chapter 19 Tonicization III: Secondary Leading-Tone Chords
20. Chapter 20 Modulation to Closely Related Keys
21. Chapter 21 Small Forms: Binary and Ternary; Variation Forms
22. Chapter 22 Contrapuntal Genres: Invention and Fugue
23. Chapter 23 Modal Mixture
24. Chapter 24 The Neapolitan Chord

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