Part I. People and Place

1. Music at the End of the Land: Reflections on the Pembrokeshire Music Network

2. Diamonds in the Backyard: Migrant Youth and Hip Hop in Australian Regional Towns

3. From the City to the Bush: An Autoethnographic Reflection on Australia’s Urban and Rural Music Scenes

Part II. Technology and Distribution

4. Sounds and Peripheral Places: Trajectory and Portrait of the Rock Scene in Tâmega (Portugal) Over the Last Decade

5. Indian Electronic Dance Music Festivals as Spaces of Play in Regional Settings: Understanding Situated and Digital Electronic Dance Music Performances

6. ‘Take Me to Church’: Developing Music Worlds Through the Creative Peripheral Placemaking and Programming of Other Voices

7. The Creative Music Networks of Regional Recording Studios: A Case Study of the Sunshine Coast and Gympie

Part III. Memory

8. Transactions in Taste: An Examination of a Potential Tastemaking Landscape Within Kent’s Blues Club Scene and the Conception of a Local Taste Accent

9. In the Middle of Nowhere: Eisenach and Its Organically Grown Blues and Jazz Infrastructure

10. ‘But Do They Know How It Is in Pihtipudas?’ Rural and Provincial Punk Scenes in Finland in the Late 1970s and Early 1980s

11. Building Scene and Cultural Memory in the Weser Hills: The Case of Glitterhouse Records and the Orange Blossom Special Festival

Part IV. Industry and Policy

12. Participatory Belonging: How Tourist Music Workshops Establish Trans-Local Music Scenes

13. Outsiders in Outsider Cities? Expatriates in the DIY Music Scenes of Nagoya and Fukuoka

14. Yogyakarta’s Jazz Activists: From Regional Scene to Local Stages

15. Fragmented, Positive and Negative: Live Music Venues in Regional Queensland