The Sociology of Arts and Markets: New Developments and Persistent Patterns 1st ed. Edition Andrea Glauser

The Sociology of Arts and Markets: New Developments and Persistent Patterns – Ebook Instant Download/Delivery ISBN(s): 9783030390129,9783030390136,3030390128,3030390136

Product details:

• ISBN-10 ‏ : ‎ 3030390128
• ISBN-13 ‏ : ‎ 978-3030390129
• Author(s): Andrea Glauser, Patricia Holder, Thomas Mazzurana, Olivier Moeschler, Valérie Rolle, Franz Schultheis

This edited collection offers an in-depth analysis of the complex and changing relationship between the arts and their markets. Highly relevant to almost any sociological exploration of the arts, this interaction has long been approached and studied. However, rapid and far-reaching economic changes have recently occurred.

Through a number of new empirical case studies across multiple artistic, historic and geographical settings, this volume illuminates the developments of various art markets, and their sociological analyses. The contributions include chapters on artistic recognition and exclusion, integration and self-representation in the art market, sociocultural changes, the role of the gallery owner, and collectives, rankings, and constraints across the cultural industries. Drawing on research from Japan, Switzerland, France, Italy, China, the US, UK, and more, this rich and global perspective challenges current debates surrounding art and markets, and will be an important reference point for scholars and students across the sociology of arts, cultural sociology and culture economy.

Table contents:

1. Introduction
Part I. Creators in the Market: Artists Between Aesthetics, Critique, and Trade
2. Patrick Modiano, Between the Fields of Limited Production and Large-Scale Production
3. A Star Down-to-Earth: On Social Critique in Popular Culture
Part II. Artistic Career Paths: Trajectories and Inequalities in the Market
4. Art Workers, Inequality, and the Labour Market: Values, Norms, and Alienation Across Three Generations of Artists
5. Visual Artists’ Professional Situations and Trajectories Between Institutions and the Market
6. The Art Market: Art’s Incomplete Mirror—Artistic Action’s Guiding Principles and Their Consequences for the Art Market
Part III. The Economy of Idiosyncrasy: Art Dealers and the Commodification of Individuality
7. When Market Promotes Individuality: Arts in Early Modern Japan from the Macrosociological Perspective
8. The Art Market Facing New Connoisseurship: The Reception of Pieter Brueghel the Younger at Auction
9. Collective-Artists: Actors on the Margins of the Global Field of Contemporary Art
Part IV. Marketable Art: Galleries and Gallery Owners as Central Intermediaries
10. Hierarchies and Divisions in the Subfield of Gallery Owners: A Research on Art Galleries in Milan
11. Mapping the Professional Self-Concepts of Gallery Owners: A Typology
12. The Diffusion of Galleries in China (1991–2016)
Part V. Market Assessments: The Increasing Role of Art Rankings
13. Magic Index on the Wall: Who Is the Most Valuable Artist of Them All?
14. Can Contemporary Art Galleries Be Ranked? A Sociological Attempt from the Paris Case
Part VI. Features of the Art Market in Advanced Capitalism: From Established to New Patterns?
15. The Art Fair Boom and Its Contradictions
16. Art Meets Capitalism: In Praise of Promising Potentialities?
17. The Art, the Market, and Sociology: Concluding Remarks

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