(Ebook PDF) When Music Takes Over in Film (Palgrave Studies in Audio Visual Culture) 1st edition by Anna K Windisch, Claus Tieber, Phil Powrie 3030891542 978-3030891541 full chapters

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Product details:

ISBN-10 : 3030891542

ISBN-13 : 978-3030891541

Author: Anna K. Windisch, Claus Tieber, Phil Powrie

This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. 

 

When Music Takes Over in Film (Palgrave Studies in Audio-Visual Culture) 1st Table of contents:

Front Matter
Pages i-xviii
 
From Unheard to Meaningful: When Music Takes Over in Film
Pages 1-11

What The Musical Moment Can Do—Theoretical Approaches
Front Matter
Pages 13-13

Dark Times: Fabulation, Synchrony, and the Musical Moment Reprised
Pages 15-34

The Acoustic Wound: Reflections on the Crystal-Song in Five American Films
Pages 35-54

How The Musical Moment Was Created—Musical Numbers in Silent and Early Sound Cinema
Pages 55-55

Musical Moments as Narrative and Emotional Catalysts in Three Silent Films by Jacques Feyder
Pages 57-74

The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema
Pages 75-93

All Singing! All Talking! All British! Musical Moments in Early British Talkies 1929 to 1932
Pages 95-114

Musical Dis/Placements—Musical Moments in Global Cinema
Pages 115-115

Musical Numbers in Bollywood Cinema’s Homeland and Diaspora
Pages 117-139

The Afterlife of Continental Romance: Musical Moments in Ichikawa Kon’s Passion Without End (1949) and Fragrance of the Night (1951)
Pages 141-160

Redemption Songs: Musical Moments in Joseph Gaï Ramaka’s Karmen Geï (2001) and Flora Gomes’s Nha Fala (2002)
Pages 161-180

‘No Hay Nada Que Celebrar’: Music, Migration, and Violence in Luis Estrada’s El Infierno (2010)
Pages 181-199

From Romance to Dystopia
Pages 201-201

Can You Hear the Love Tonight? Creating Cinematic Romance with Diegetic Songs
Pages 203-224

Desperately Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016)
Pages 225-246
 
Back Matter
Pages 247-255

 

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